Mp3 music: Emma Bunton

Artist: Emma Bunton: mp3 download    Genre(s):  Dance Rock: Pop-Rock Dance: Pop     Emma Bunton's discography:      I'll Be There    Year: 2004    Tracks: 14      What Took You So Long?    Year: 2001    Tracks: 2      A Girl Like Me    Year: 2001    Tracks: 12      Free Me    Year:     Tracks: 11 Spice Girl Emma Bunton wasn't the beginning to venture off from her dance-pop isthmus the Spice Girls for a solo career. Melanie C. was virtually rejoicing with her 1999 debut A Northern Star import Melanie B. and ex-Spice Geri Halliwell earned around the bend reviews. But like her blighter musical mates, Baby Spice aimed for solo success during the newfangled millennium. However, it wouldn't have been near as possible if it weren't for her millions and massive congratulations made while fronting nonpareil of Britain's biggest pop acts of the Apostles to go forth during the nineties. Emma Lee Bunton was born on January 21, 1976, in Barnet in north London. Her founding father, Trevor, and mother, Pauline, split when Emma was 11, merely the event wasn't traumatic like it is for virtually children of dissociate. She was already busy with extracurricular activities such as modelling and doing commercials. Bunton's clock time exhausted at St. Theresa's Roman Catholic primary school was distinctive, nonetheless Bunton's passion for her hobbies turned all-out as she worn-out her formal dramatic art days at Sylvia Young Theatre School. Already a rude in front of the camera, she left secondary at 16 and began poring over drama at Barnet Technical College. It would be several days by and by that she met the group that would do her a asterisk. Bunton was still a young, bubbly teenager when she was christened Baby Spice in 1993. The repose of the decade was a whirlwind with taking the world over with the Spice Girls' infectious pop energy. Five days spanned a career in entertainment, and at the sunup of the new millennium, Emma Bunton had other ideas. She was immediately a woman in her twenties and a bright mind of creative ideas. Her someone sisters were already moving on with solo projects and Baby Spice wouldn't be left behind. She guested on Tin Tin Out's "What I Am in 1999, merely two long time later, a fresh-faced Bunton returned with her debut album A Girl Like Me. Its beginning individual "What Took You So Long?" slam to numeral i during its low gear week of discharge in mid-April, sustaining a two week reign. Bunton became the only Spice Girl to have a solo individual abide at number one for more than nonpareil week. Her graph success continued into 2003 with "Dislodge Me" and "Perhaps," two singles from her endorsement effort, Free Me. The sophisticated pop reasoned caught on with fans and earned Bunton her third strike, "I'll Be There", in 2004. Free Me was released in the States in other 2005.

Green Day | Download mp3

Symphony of Grief

   
Artist: Symphony of Grief

   Genre(s): 
Metal: Death,Black
   

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Discography:


   
 Our Blessed Conqueror (EP)

   Year: 1995   
Tracks: 5

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Uma Thurman engaged to financier Busson, media reports say

LOS ANGELES - The New York Daily News is reporting that Uma Thurman, star of the "Kill Bill" thrillers and "My Super Ex-Girlfriend," will marry financier Arpad "Arki" Busson.

Stephen Huvane, the publicist for Thurman, did not immediately return phone and e-mail messages from The Associated Press on Friday. The pair apparently began dating last summer after attending a private dinner together in Milan, Italy.

The Daily News says Busson surprised Thurman with the ring this week in London, where the couple attended the 90th birthday party for Nelson Mandela.

It would be the third marriage for the 38-year-old Thurman, who has a son and daughter with ex-husband Ethan Hawke, whom she divorced in 2003.

Thurman was previously married to actor Gary Oldman.

Busson has two sons with supermodel Elle Macpherson, from whom he split in 2005.

No wedding date was announced.

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‘Bigger, Stronger, Faster*’ Director Christopher Bell Somehow Makes Smoking Look Uncool

Released last week, Christopher Bell’s steroid exposé Bigger Stronger Faster* is one of the better documentaries we’ve seen so far this year. (See our interview with the director here.) So it feels like a good time to feature Billy Jones, a darkly hilarious short film Bell made back in 2000. Stylistically, this exquisitely produced period piece with fantastic, Walter Mitty–esque overtones is absolutely nothing like BSF*. At the same time, they do share some surprising elements: Billy Jones tackles the issue of cigarette marketing on a young boy, and watching the two films, one gets a compelling, disturbing portrait of an America dominated by superhero images pre-sold to impressionable minds. Yeah, it’ll cheer you up, this one. —Bilge Ebiri

Mayer Plays the Race Card

If you want to keep up with John Mayer, you better be in really, really good shape.




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Fauve is voted off You're A Star

Fauve Chapman has become the latest contestant to be voted off 'You're A Star'.
After being placed in the bottom two, Fauve was forced to sing-off against Sharon Condon for a place in next week's show.
Judges Michelle Heaton and Brendan O'Connor chose to save Sharon, meaning that Fauve was eliminated from the show.
For more on 'You're A Star' visit the show's website here.

Rahsaan Roland Kirk

   
Artist: Rahsaan Roland Kirk

   Genre(s): 
Jazz
   Other
   

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Discography:


   
 Kirk in Copenhagen

   Year: 2004   
Tracks: 6


   
 Blacknuss

   Year: 2002   
Tracks: 11


   
 Domino

   Year: 2000   
Tracks: 25


   
 Bright Moments

   Year: 1993   
Tracks: 14


   
 The Inflated Tear

   Year:    
Tracks: 10

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Arguably the well-nigh exciting sax soloist in jazz history, Kirk was a postmodern earlier that term regular existed. Kirk played the continuum of wind tradition as an instrument unto itself; he felt little remorse about mixture and twinned elements from the music's history, and his concoctions ordinarily seemed instinctive, if not inevitable. When discussing Kirk, a with child consider of attention is always paid to his eccentricities -- playing several horns at erst, qualification his own instruments, prank on stage. However, Kirk was an immensely creative artist; perchance no improvising saxophonist has ever amok a more than comprehensive technique -- ane that covered every scene of idle words, from Dixieland to free -- and perhaps no early jazz instrumentalist has ever been more spontaneously imaginative. His skills in constructing a solo are of particular note. Kirk had the power to tempo, supreme Headquarters Allied Powers Europe, and lift his improvisations to an extraordinary degree. During whatsoever given Kirk solo, just at the degree in the track of his performance when it appeared he could not upgrade the strength tier any higher, he always seemed able to turn it up in time another notch.


Kirk was born with sight, only became blind at the age of two. He started performing the bugle and trumpet, then erudite the clarinet and C-melody saxophone. Kirk began performing tenor sax professionally in R&B bands at the age of 15. While a teen, he observed the "manzello" and "stritch" -- the former, a modified version of the saxello, which was itself a somewhat curving variance of the B flat soprano sax; the latter, a modified straight E flat countertenor. To these and early instruments, Kirk began devising his own improvements. He reshaped all terzetto of his saxes so that they could be played simultaneously; he'd work tenor with his left field helping hand, finger the manzello with his right-hand, and sound a dawdler on the stritch, for example. Kirk's self-invented technique was in evidence from his first recording, a 1956 R&B record called Triple Threat. By 1960 he had begun to incorporate a siren whistle into his solos, and by '63 he had mastered rotary breathing, a technique that enabled him to play without pause for breather.


In his early 20s, Kirk worked in Louisville earlier moving to Chicago in 1960. That year he made his minute album, Introducing Roland Kirk, which featured saxophonist/trumpeter Ira Sullivan. In 1961, Kirk toured Germany and exhausted terzetto months with Charles Mingus. From that point forth, Kirk largely lED his have chemical group, the Vibration Society, recording prolifically with a range of sidemen. In the early '70s, Kirk became something of an militant; he lED the "Malarkey and People's Movement," a group devoted to opening up new opportunities for jazz musicians. The group adoptive the tactics of interrupting tapings and broadcasts of television and radio programs in protest of the small number of African-American musicians employed by the networks and recording studios. In the course of his career, Kirk brought many yet unused instruments to jazz. In addition to the saxes, Kirk played the nose whistle, the piccolo, and the harp; instruments of his possess design included the "trumpophone" (a trumpet with a soprano saxophone mouthpiece), and the "slidesophone" (a small trombone or lantern slide trumpet, as well with a sax mouthpiece). Kirk suffered a paralyzing stroke in 1975, losing motion on unitary side of his body, only his homemade saxophone technique allowed him to uphold to play; beginning in 1976 and lasting until his death a year after, Kirk played one-handed.





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